Brand Identity

Take the dense thing. Hand back the clear one.

This is the identity system behind this site: the idea, the mark, the type, and the color that make every page read as one voice. Where the Design System documents the code, this page documents the thinking.

01 · The Idea

Every piece of content on this site starts as something too complicated for the person reading it: a legal clause, a procurement process, a compliance requirement nobody wrote in plain words.

The job is deciding what's true, then cutting everything that's only there to sound careful. Hand back something someone can act on without a second read. The mark, the type, and the color are all built around that one move.

02 · The Mark

A spine and one bar. A sideways T, for Tyler.

Two rectangles of equal thickness, fused where they meet, white on a Navy square. The mark carries its own background, so it reads the same on a light page or a dark band, at 16 pixels or at billboard scale. No illustrated icon, no gradient, no third color.

03 · The Wordmark

Poppins · Light and Bold

Tyler Quackenbush

First name in Poppins Light, uppercase, tracked wide. Last name in Poppins Bold, set large, with a Navy rule underneath. The same family carries every heading, label, and paragraph on this site, so the wordmark reads as part of the page. No custom ligatures and no tightened counters: a designer's name should be as legible as the work under it.

04 · Lockups

Three configurations, chosen by the space available. The horizontal lockup leads wherever it fits.

Tyler Quackenbush

Horizontal · Nav / Header

Tyler
Quackenbush

Stacked · Square Contexts

Mark Only · Favicon / Small UI

05 · Clear Space & Minimum Size

Clear space equal to the mark's stroke weight, on all sides. The mark depends on space to stay legible; crowding it defeats that.

Digital Minimum

16px · Favicon

App Icon

32px – 512px

Print Minimum

10mm

06 · Color

Ink · #000000

Primary text and dark surfaces.

Cloud · #F5F6F5

Page background. Cards sit a step above it in white.

Navy · #25476B

The one accent: links, labels, the thing that changed.

Skylight · #A8C0DA

Navy’s job on a dark band, where Navy would disappear.

An earlier direction paired a deeper navy with an amber highlight. The current system keeps one accent and spends it on one thing: the link, the label, the line that got clearer. Skylight exists only so that job still gets done on a dark band.

07 · Typography

Aa Gg Hh 0123

Poppins Bold

Headings and the wordmark.

Aa Gg Hh 0123

Poppins Light

Eyebrows, labels, and quiet text.

Aa Gg Hh 0123

Poppins Regular

Body copy.

Aa Gg Hh 0123

Lora Italic

Pull quotes and the tagline: the lines worth quoting.

One family in three weights does nearly all the work. The single serif italic is reserved for lines worth repeating, so it stands out every time it appears.

08 · In The World

Tyler Quackenbush

Senior UX Designer

[email protected]
tquack.com

Business Card

Tyler Quackenbush

Senior UX Designer and Project Manager

Resume Header

SENIOR UX DESIGNER

Make the problem simple, then solve the simple problem.

Social Share Card

09 · Rationale & Positioning

Tyler is the person a team hands the sentence nobody else wants to touch, and it comes back clearer.

Two strokes read "simple" faster than an illustrated icon could. A brand about plain language can't have a complicated logo. One accent color, rationed: Navy means the same thing everywhere it appears, the part that got clearer. Spend it anywhere else and it stops meaning anything.

See the system applied everywhere on this site.